'There are enough LGBTQ people in the industry, so I don't feel like a misfit.'
'We used Babil as a body double, and in an extreme wide shot too.'
Despite director Homi Adajania's ease around quirky ensembles and macabre touches, Murder Mubarak fails to draw the viewer into its shallow world of the vain and wealthy, feels Sukanya Verma.
'Thankfully, as Indians, we have a long history of trans people in our culture, in our religions, in our mythology.' 'It's not a fad which has suddenly come into existence, the way that a lot of Americans treat it.'
Funny how a woman can fall in love with another woman and still need a man to ensure she gets her happy ending, notes Sukanya Verma.
Satyamev Jayate's newest episode -- Accepting Alternative Sexualities -- was a commendable effort to bring the discourse on Section 377 of the Indian Constitution on a mainstream platform, says Nishi Tiwari.
'I have changed and matured.' 'There is still a certain kind of detachment but I have far more appreciation and gratitude.'
At the end of the six short stories, Feels Like Ishq is uneven yet watchable, feels Sukanya Verma.
'I am telling you that it's overestimated that everybody falls in true love.' 'It happens very rarely when two people really fall in love. 'And if that happens, the last thing that should be on anybody's mind is religion, gender, caste, colour and creed.' 'None of that should be relevant. It should be all about just two human beings.'
If you happen to like this film, I have to assume there's something seriously wrong with your idea of a journey, Sreehari Nair says.
A clutch of professional talent management firms is changing the balance of demand and supply in India's entertainment industry, writes Vanita Kohli-Khandekar.
'Just because you fall in love with someone, who might not belong to the opposite sex does not mean you are different.' 'Love is always Love.' 'You cannot choose which person you will fall in love with.'
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
